When female celebrities wear cheongsam, some are elegant, some are playful, some are sexy, and some are dignified. Who is the real cheongsam beauty?
Zhao Yazhi’s temperament matches the traditional and gentle qualities of Chinese cheongsam, so she is able to perform as Yao Mulan, the grand dame in “The Smoke and Mirrors of Beijing”, and also portray the gentle and lovely Feng Chengcheng in “Shanghai Tang” in a way that is unforgettable, which cheongsam, with her
$$They are the best of the best.
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In many texts about old Shanghai, one can always find wooden floors, old rattan chairs, long cheongsams and nylon stockings worn meticulously even in the middle of summer. …… Does Zhang Ziyi, the northern girl who wears her belly bib as a dress, find the charm of sea chic in “Jasmine Blossom”?
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Fed up with being called “flower vase “
The first time I saw a woman in a painting, I wanted to be a woman with brains and content, however, even if the cheongsam was plain and not a bit fancy, it still didn’t look much like the female painter who taught at the Shanghai Academy of Fine Arts in 1928 – Pan Yuliang didn’t have the beauty that Li Jiaxin’s plain clothes and white robe could not hide.
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“A prince chooses his favorites, a coat seeks its model”. The model, or the model gives the jacket an intoxicating style and soul? The first time I saw the movie was in the 1930s and 1940s in Shanghai, when the cheongsam met Maggie Cheung, the Hong Kong of the 1960s was in a trance, and the cheongsam’s “flowery years” blossomed into a charming firework again in another time and space.
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This woman with a heart of gold is known as the “master of jade”, not only is she gentle in appearance, but she also paints well.
This woman, who is known as the “Jade Master”, not only has a gentle and refined appearance, but also paints a good painting. The woman’s work was shortlisted for the first Chinese Watercolor Figure Painting Exhibition. The essence of the ancient and modern Vivian Zhou is perhaps closer to the cheongsam – the soft satin with the most delicate and charming patterns embroidered by a heart and hands.
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With a figure as delicate as Suzhou beauty Liu Jialing’s, it doesn’t insult the cheongsam, which is as ironic as a second skin. The cheongsam, with a little age and a little experience woman wears it, raising her hands and feet in style. She’s not young anymore, but what does it matter? She’s beautiful.
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In the 1920s, literate schoolgirls used to be the ones who led the way in Chinese fashion, probably more fluent in English than Chinese, but after the most Western of educations, the cheongsam has been with them all their lives. After receiving the most Western education, the cheongsam stayed with them for the rest of their lives. The cheongsam of schoolgirls is usually cloth with a plain pattern, like the one worn by Zhao Wei in “Love is Deep and Rainy”, which has become slightly more ornate in schoolgirl dress.
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Without “Rouge”, people wouldn’t know what a great actress Anita Mui is, and without Anita Mui, people wouldn’t know how poignant a cheongsam can be.
If it hadn’t been for “The Blush”, people wouldn’t have known how poignant the cheongsam could be.
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With Liu Yifei’s devilish figure in a cheongsam, it’s a classic beauty.
The company has been in the news for more than a decade, but it has been the most popular choice of directors for its talent and beauty, and has been seen as the hottest candidate to enter Hollywood after starring in a blockbuster movie with Jackie Chan and Jet Li.
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Beneath her cheongsam outfit, Tang Wei has the charm of a Shanghai woman of the 1950s and 1960s. The unprecedented broadcast of the movie “Lust, Caution” made Tang Wei the hottest woman in the entertainment industry for a while.